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David FreedbergPierre Matisse Professor of History of Art |
In Residence
October 2014 – December 2014
Research Project
How to establish a neural substrate for aesthetic judgement
Research Interests
- 16th and 17th-century Dutch and Flemish Art
- 17th-century Italian Art, Theory and Criticism
- Iconoclasm
- Relations between Art, History and Cognitive Neuroscience
Publications
Zur Repräsentation von Martyrien in Antwerpen Ende des 16. Jahrhunderts, in: Autopsia: Blut und Augenzeugen. Extreme Bilder des christlichen Martyriums, ed. by Carolin Behrmann and Elisabeth Priedl, München: Wilhelm Fink Verlag, 2014, S. 181–211.
Las Máscaras de Aby Warburg, ed. by Luis Vives-Ferrándiz Sánchez, Barcelona: Ediciones Sans Soleil 2013.
The Eye of the Lynx. Art, Science and Nature in the Age of Galileo. Chicago: University of Chicago Press 2002.
The Power of Images. Studies in the History and Theory of Response, Chicago/ London: Chicago University Press 1989.
Iconoclasts and their Motives (Second Horst Gerson Memorial Lecture, University of Groningen), Maarssen: Gary Schwartz 1985.
Rubens. The Life of Christ after the Passion (Corpus Rubenianum Ludwig Burchard, 7), London/ New York: Harvey Miller/Oxford University Press 1984.
Dutch Landscape Prints of the Seventeenth Century, London: British Museum Publications 1980.
ContactDavid FreedbergCenter for Advanced Studies BildEvidenz Arnimallee 10 |
