Anna SchäfflerJunior Fellow |
In Residence
November 2018 – April 2019
Research Project
Dealing with the legacy of contemporary artists requires new models for conservation and preservation. In my research project I explore the posthumous caring for artists’ estates in its artistic, cultural, economic, legal, and political dimensions and situate these historically. I investigate the consequences of an expanded preservation outside and beyond existing memory institutions such as museums, archives, libraries, a process that will ultimately amount to tectonic changes in Western memory culture. In doing so I also study the more general potential of this decentralization of knowledge in “networks of care” with private and civil stakeholders.
Research Interest
- History and theory of conservation and restoration
- Practices and processes of preservation, archiving and exhibiting
- Time, temporality and contemporaneity of art
- Methods of observation and mediation
- Art sociology, economy and politics
Publications
„Out of the Box. Preservation on Display“, in: The Explicit Material. Material and Object Inquiries on the Intersection of Academic, Curatorial and Conservation Studies, Hanna Hölling/Francesca Bewer/Katharina Ammann (Eds.), Studies in Art and Materiality, Brill (forthcoming).
„Erhalten Ausstellen“, in: In Obhut. Anhand von Anna Oppermann, Marktgemeinde Lustenau, 2018.
„move – align – avoid. Vom Schwarm als Prinzip und Phänomen“ (mit Friederike Schäfer), in: Is This Where It Ends? Kunstverein Harburger Bahnhof 2011-2014, Isabelle Busch/Franziska Solte (Eds.), Hamburg 2015.
„Variation & Interpretation. Zum posthumen Aufbau installativer Kunstwerke“, in: kunsttexte. de/Gegenwart, Skulptur des 21. Jahrhunderts“, No. 4, 2014.
ContactAnna SchäfflerCenter for Advanced Studies BildEvidenz Arnimallee 10 |